A Svay Ken still-life, Basket, from 2007
News just in from Siem Reap, my pal Eric de Vries and his wife Lida are the proud parents of a tiny female tot by the name of C'moon, who arrived this afternoon after a long labour. My heartiest congratulations to all and good to hear mum and baby are doing just fine. The new arrival and the opening of his new 4Faces gallery-cafe on the 24th of this month will keep the new dad busy for sure, especially as everything will stop for Khmer New Year next week. Eric has announced his list of monthly exhibitions until the end of the year, kicking off with the legendary Tim Page, a Sean Flynn solo, posthumously of course, in November and another friend of mine, Jerry Redfern in December. If you are in Siem Reap, please pop in and visit Eric's new venture, close to the old market.
Tonight was the second showing of Out of the Poison Tree at Meta House, which attracted a small but interested audience. The film generated quite a few questions, especially about the KR Tribunal but also a suggestion that the documentary should be made more widely available to Cambodians to watch. I couldn't agree more. Whilst I was at Meta I noticed a couple of paintings on the walls, on the same floor as the Tim Page exhibition, that I hadn't noticed before. Shame on me. They included offerings from the late Svay Ken and from traditional master painter Chhim Sothy.
A departure from the norm for Chhim Sothy, called Anarchic Construction from 2007
Labels: Chhim Sothy, Eric de Vries, Meta House, Svay Ken